Оркестр под управлением Олега Лундстрема - Не грусти! С чего начинался Лундстрем

Artist: Оркестр под управлением Олега Лундстрема
Album: Не грусти! С чего начинался Лундстрем
Записи 1958-59 годов
Label: Мелодия
Time: 73:26
Format/Bitrate - mp3, 320 kbps (Rapidshare)
Size: 100+70 Mb

Хотелось бы предложить вашему вниманию записи раннего Оркестра под управлением Олега Лундстрема.

Titles:
1. Новоселы (Марш фокстрот) - О.Лундстрем - Эстрадный оркестр п/у Олега Лундстрема - 2.38
2. Весенняя песня - А.Ключарев – Оркестр - 4.05
3. Не грусти - Г.Ротт – А.Писманник - И.Алексеева - 4.30
4. Мечты - А.Манасыпов – Оркестр - 3.17
5. Прости, я сам виноват - А.Бабаджанян – Г.Регистан - Аскольд Беседин - 4.15
6. О тебе - А.Эшпай – Г.Регистан - А.Беседин - 3.15
7. Романсеро Пабло из оперетты «Поцелуй Чаниты» - Ю.Милютин – Е.Шатуновский - А.Беседин - 4.15
8. Весел я - Ц.Биксио – Г.Регистан - А.Беседин
9. Расцвел мангустан - Индонезийская народная, обр.О.Лундстрема - Е.Гвоздев - М.Кристалинская - 4.23
10. Песенка почтальона - А.Колкер – Л.Норкин - М.Кристалинская - 2.35
11. Юмореска - О.Лундстрем – Инструментал - 5.30
12. Нет, скажешь ты - А.Эшпай – Г.Регистан - Галина Казакова - 3.08
13. Тише - А.Островский – З.Петрова - Г.Казакова - 5.50
14. В двадцать лет - А.Эшпай, Ю.Саульский – Г.Регистан - Г.Казакова - 2.29
15. Белая береза - И.Шамсутдинов – Оркестр - 3.11
16. Захра - Иракская народная, обр. О.Лундстрема - Ара Арсенян - 4.30
17. Песня радости - Л.Лядова – Б.Брянский - Гюли Чохели - 2.43
18. На отдыхе - А.Бабаджанян – инструментал - 3.12
19. Пойми меня, друг - А.Аджемян – Б.Брянский - Т.Осокина - 3.42
20. Фантазия на темы песен о Москве - О.Лундстрем – оркестр - 6.20

К сожалению информация на диске об исполнителях отсутствует. Есть только информация о вокалистах, которая указана последней позицией в каждой песне. Это - И.Алексеева, М.Кристалинская, А.Беседин и др.

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Jimmy Forrest - Forrest Fire (1960)

Artist: Jimmy Forrest
Album: Forrest Fire
Rating AMG: 4
Recording Date: Aug 9, 1960
Label: New Jazz/OJC
Genre: Jazz, Styles: Hard Bop, Soul-Jazz
Time: 39:39
Format/Bitrate - flac
Size: 2х100+70 Mb

Titles:
1. Remember (Berlin) - 5:27
2. Dexter's Deck (Gordon) - 6:37
3. Jim's Jam (Forrest) - 8:54
4. Bags' Groove (Jackson) - 8:25
5. When Your Lover Has Gone (Swan) - 5:27
6. Help! (Watkins) - 4:49

Personel: Jimmy Forrest - Sax (Tenor), Thornel Schwartz - Guitar, Jimmie Smith - Drums, Larry Young - Organ.

Продолжение текста / More textReview Scott Yanow, AMG:
During 1961, Jimmy Forrest recorded four albums for Prestige and its subsidiary New Jazz, all of which have been reissued on CD in the Original Jazz Classics series. The appealing tenor is matched up with 20-year-old organist Larry Young, guitarist Thornel Schwartz and drummer Jimmie Smith. They perform two jump tunes ("Dexter's Deck" and Doug Watkins' "Help"), a pair of blues, a swinging version of Irving Berlin's "Remember," and a lone ballad ("When Your Lover Has Gone"). Excellent music that is also quite accessible.


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Erskine Hawkins & His Orchestra - The Original Tuxedo Junction

Artist: Erskine Hawkins
Album: The Original Tuxedo Junction
Rating AMG: 5
Recording Date: Sep 12, 1938-Jan 10, 1945
Label: Bluebird/RCA
Genre: Jazz, Styles: New York Blues, Swing
Time: 68:00
Format/Bitrate - flac
Size: 2х100+77 Mb

Titles:
01. Tuxedo Junction.flac
02. After Hours.flac
03. Tippin' In.flac
04. Rockin' Rollers' Jubilee.flac
05. Weary Blues.flac
06. Easy Rider.flac
07. Swing Out.flac
08. Big-Wig In The Wigwam.flac
09. Swingin' On Lennox Avenue.flac
10. Gin Mill Special.flac
11. Cherry.flac
12. Dolimite.flac
13. Song Of The Wanderer.flac
14. Junction Blues.flac
15. Sweet Georgia Brown.flac
16. Five O'clock Whistle.flac
17. Soft Winds.flac
18. Nona.flac
19. Blackout.flac
20. Don't Cry Baby.flac
21. Bear Mash Blues.flac

Personel: Erskine Hawkins - Trumpet.

Продолжение текста / More text
Review Scott Yanow, AMG:
This is an excellent one-CD sampler of the music of Erskine Hawkins' Orchestra. Although serious collectors will want to get the comprehensive Classics releases, this is a perfect place for more general listeners to begin.
Hawkins' three biggest hits("Tuxedo Junction," "After Hours," and "Tippin'In") lead off the set which otherwise has highlights from 1938-42. With the exception of 1945's "Tippin' In" (which features some memorable lead alto by Bobby Smith), all of Hawkins' key soloists are here, including the leader and Dud Bascomb on trumpets, either Paul Bascomb or Julian Dash on tenor, baritonist Haywood Henry, and pianist Avery Parrish (who made "After Hours" famous). Timeless swing.


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Ike Quebec - Blue & Sentimental (1961)

Artist: Ike Quebec
Album: Blue & Sentimental
Rating AMG:5
Recording Date: Dec 16, 1961,Dec 23, 1961
Label: Blue Note
Genre: Jazz, Styles: Swing, Soul-Jazz, Jump Blues, Hard Bop
Time: 50:16
Format/Bitrate - mp3, 320 kbps
Size: 70+45 Mb

Хочу предложить Вашему вниманию "Blue & Sentimental" - один из лучших в творчестве музыканта.

Titles:
1. Blue And Sentimental
2. Minor Impulse
3. Don't Take Your Love From Me
4. Blues For Charlie
5. Like
6. That Old Black Magic - (bonus track)
7. It's Alright With Me - (bonus track)
8. Count Every Star

Personel: Ike Quebec (tenor saxophone, piano); Grant Green (guitar); Paul Chambers (bass); Philly Joe Jones (drums).

Продолжение текста / More textReview cduniverse:
Although not as well known as other big tenor men like John Coltrane, Hank Mobley, or Benny Golson, Ike Quebec was a major contributor to the classic era of jazz and this 1961 Blue Note date captures him in his prime. BLUE & SENTIMENTAL is indeed one of but a few discs that Quebec recorded for Blue Note, although he was involved with the legendary label as an A&R man and performed on many sessions by other artists. His huge, velvety tone and bluesy swagger are Quebec's signature as he lopes and swings through several classic tunes like Count Basie's lazy title track, the bouncing "That Old Black Magic," and Cole Porter's hauntingly melodic "It's Alright With Me." Filling out the quartet are no less than Grant Green, Paul Chambers, and Philly Joe Jones, Blue Note regulars all, who shine brightly as always. Other choice moments on this disc include Quebec and Green's tight interaction on Quebec's catchy "Minor Impulse," the smoky ballad "Don't Take Your Love From Me," and the easy-going closer "Count Every Star."

Review Scott Yanow, AMG:
Ike Quebec's 1961-1962 comeback albums for Blue Note were all pretty rewarding, but Blue and Sentimental is his signature statement of the bunch, a superbly sensuous blend of lusty blues swagger and achingly romantic ballads. True, there's no shortage of that on Quebec's other Blue Note dates, but Blue and Sentimental is the most exquisitely perfected. Quebec was a master of mood and atmosphere, and the well-paced program here sustains his smoky, late-night magic with the greatest consistency of tone. Part of the reason is that Quebec's caressing tenor sound is given a sparer backing than usual, with no pianist among the quartet of guitarist Grant Green, bassist Paul Chambers, and drummer Philly Joe Jones. It's no surprise that Green solos with tremendous taste and elegance (the two also teamed up on Green's similarly excellent Born to Be Blue), and there are plenty of open spaces in the ensemble for Quebec to shine through. His rendition of the Count Basie-associated title cut is a classic, and the other standard on the original LP, "Don't Take Your Love From Me," is in a similarly melancholy vein. Green contributes a classic-style blues in "Blues for Charlie," and Quebec's two originals, "Minor Impulse" and "Like," have more complex chord changes but swing low and easy. Through it all, Quebec remains the quintessential seducer, striking just the right balance between sophistication and earthiness, confidence and vulnerability, joy and longing. It's enough to make Blue and Sentimental a quiet, sorely underrated masterpiece. (The CD reissue adds three bonus cuts, all standards, which fit the program very nicely indeed.)


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Gene Ammons & Sonny Stitt - Boss Tenors In Orbit

Artist: Gene Ammons & Sonny Stitt
Album: Boss Tenors in Orbit!
Rating AMG: 3
Recording Date: Feb 18, 1962
Release Date: Jun 4, 2002
Label: Verve
Genre: Jazz, Styles: Soul-Jazz, Hard Bop
Format/Bitrate - flac
Size: 2x100+71 Mb

Titles:
1. Long Ago and Far Away
2. Walkin'
3. Why Was I Born
4. John Brown's Body
5. Bye Bye Blackbird

Personel: Gene Ammons (tenor saxophone); Sonny Stitt (alto & tenor saxophones); Don Patterson (organ); Paul Weeden (guitar); Billy James (drums).

Producer: Creed Taylor.

Recorded at Van Gelder Recording Studio in Englewood Cliffs, New Jersey on February 18, 1962. Originally released on Verve (8468). Includes liner notes by Bill Kirchner.
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Jelly Roll Morton - 1926-1928

Artist - Jelly Roll Morton
Album - 1926-1928
Label - Classics
Years: December 16, 1926, release November 19, 1996
Quality - MP3, 192
Size: 100mb
Total time: 1:10:42

Tracklist:
01. Doctor Jazz (3:29)
02. Cannon Ball Blues (3:36)
03. Hyena Stomp (3:13)
04. Billy Goat Stomp (3:32)
05. Wild Man Blues (3:08)
06. Jungle Blues (3:31)
07. Beale Street Blues (3:18)
08. The Pearls (3:29)
09. Wolverine Blues (2:56)
10. Mr. Jelly Lord (2:48)
11. Midnight Mama (2:46)
12. Mr. Jelly Lord (2:59)
13. Sergent Dunn's Bugle Call Blues (3:04)
14. Ham and Eggs (3:04)
15. Buffalo Blues (3:08)
16. You Need Some Loving (3:12)
17. Georgia Swing (2:32)
18. Kansas City Stomps (2:56)
19. Shoe Shiner's Drag (3:20)
20. Boogaboo (3:20)
21. Shreveport (3:19)
22. Mournful Serenade (3:26)

Total Time: 70:42

Personal:
Recorded at 1926-1928. Hayes Alvis - Tuba; Bill Benford - Tuba; Tommy Benford - Drums; Wallace Bishop - Drums; Lee Blair - Banjo; Garvin Bushell - Clarinet, Sax (Alto); Leslie Corley - Banjo; Baby Dodds - Drums; Johnny Dodds - Clarinet; Johnny Dunn - Cornet; Stump Evans - Sax (Alto); Geechie Fields - Trombone; Herb Fleming - Trombone; Andrew Hilaire - Drums; Harry Hull - Tuba; George Mitchell - Cornet; John Mitchell - Banjo; Jelly Roll Morton - Piano, Speech/Speaker/Speaking Part, Vocals; Kid Ory - Trombone; Mort Perry - Drums; Ward Pinkett - Trumpet; Gerald Reeves - Trombone; Johnny St. Cyr - Banjo; Bud Scott - Guitar; Omer Simeon - Clarinet; Edwin Swayzee - Trumpet; Louis Taylor - Trombone; Walter Thomas - Clarinet, Sax (Bass), Sax (Soprano); Quinn Wilson - Tuba.

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Ben Webster - 1944-1946 (Chronological 1017)

Artist: Ben Webster
Album: 1944-1946
Rating AMG: 4
Recording Date: Feb 8, 1944-Jan 24, 1946
Release Date: Jan 12, 1999
Label: Classics
Genre: Jazz, Styles: Swing, Traditional Pop, Ballads
Time: 76:01
Format/Bitrate - flac
Size: 85+77 Mb

Вашему вниманию предлагается альбом Ben Webster вышедший на лейбле Classics. Записи 1944-1946 годов.

Titles:
1. Woke Up Clipped
2. Teezol
3. 'Nuff Said
4. The Horn (I Got Rhythm)
5. Dirty Deal
6. Don't Blame Me
7. I Surrender Dear
8. Tea For Two
9. Perdido
10. I Surrender Dear
11. Broke But Happy
12. Blues On The Bayou
13. Jumpin' With Judy
14. Blues On The Delta
15. Honeysuckle Rose
16. I Surrender Dear
17. Blue Skies
18. Kat's Fur
19. Blues In My Heart
20. Emaline
21. Am I Blue
22. Rose Of The Rio Grande

Personel: Ben Webster (tenor sax), Budd Johnson (tenor sax), Oscar Pettiford (bass), Cozy Cole (drums), Johnny Guarnieri (piano), Emmett Berry (trumpet), Denzil Best (drums), Big Sid Catlett (drums), Clyde Hart (piano), Hot Lips Page (trumpet) и др.

Продолжение текста / More text
Review arwulf arwulf, AMG:
Most Ben Webster albums on the market today seem to be reissues from his magnificent autumnal years, majestically lush or bearishly brusque. It's good to have a chronological sampling of Webster's work from the mid-'40s, in order to appreciate exactly how he developed into the Ben Webster of 1959 and 1969. After popping up on early big band swing records by Bennie Moten and Willie Bryant, Webster came into his own as the first really exceptional tenor saxophonist to be featured with Duke Ellington's Orchestra. What we have here is the post-Ellington Ben Webster. His tone has gotten bigger and wider, grittily sensuous and invariably warm like a pulse in the jugular. The first eight tracks were made for radio broadcast purposes in February of 1944. The combination of Hot Lips Page and Ben Webster is a bitch. There are strolling romps with titles like "Woke Up Clipped," "Dirty Deal" and "'Nuff Said," lively stomps built on to the changes of "Tea for Two" and "I Got Rhythm," and two choice examples of Webster developing his ballad chops. "Perdido," from a quartet session recorded near the end of March 1944, is positively stunning. Webster has definitely tapped into something primal, and no one can hear him without being at least partially transformed by the sounds of his saxophone. April Fool's day, 1944 found Webster in the company of tenors Budd Johnson and Walter "Foots" Thomas, with trumpeter Emmett Berry and a modern rhythm section. "Broke but Happy" is a sweet jaunt, real solid, especially when the saxes take over in unison. But the main reason to get your own copy of Classics 1017 is to have the Savoy session of April 17th, 1944. Gracefully accompanied by Johnny Guarnieri, Oscar Pettiford and David Booth, Webster blows four of the greatest three-minute recordings of his entire career. "Kat's Fur" is a goosed up, improved version of "'Nuff Said." "I Surrender Dear" runs even deeper than the two other versions included on this disc. "Honeysuckle Rose" and especially "Blue Skies" each represent Ben Webster at his toughest and truest. This is a rare blend of musk, and it's not synthetic. It's the real thing.


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Ben Webster - 1946-1951 (Chronological 1253)

Artist: Ben Webster
Album: 1946-1951
Rating AMG: 3 1/2
Recording Date: May 3, 1946-Dec 27, 1951
Release Date: Oct 2, 2002
Label: Classics
Genre: Jazz, Styles: Hard Bop, Bop, Swing
Time: 56:17
Format/Bitrate - flac
Size: 85+66 Mb

Вашему вниманию предлагается альбом Ben Webster вышедший на лейбле Classics. Записи 1946-1951 годов.

Titles:
1. Jeep Is Jumpin'
2. I Got It Bad (And That Ain't Good)
3. Dark Corners
4. Mister Brim
5. Frog and Mule - Ben Webster Quartet
6. Spang - Ben Webster Quartet
7. Doctor Keets - Ben Webster Quartet
8. Park and Tilford Blues - Ben Webster Quartet
9. As Long As I Live
10. All Alone
11. Blue Belles of Harlem
12. Turn It Over
13. That Dit It
14. Best Friend Blues
15. Baby You Messed Up
16. Randle's Island
17. Old Folks
18. King's Riff
19. You're My Thrill

Personel: Ben Webster (tenor sax), Tony Scott (clarinet), Bill Coleman (trumpet), Maynard Ferguson (trumpet), Idries Suleiman (trumpet), Al Haig (piano), John Kirby (bass), Bill DeArango (guitar), Benny Carter (alto sax), Denzil Best (drums), Big Sid Catlett (drums), Gerry Wiggins (piano), other.

Продолжение текста / More textReview Thom Jurek, AMG:
This volume in the Chronological Classics Ben Webster series is a fascinating slice during a wildly transitional period for the saxophonist. In the years between 1946-1951, Webster made numerous jumps as evidenced by these tracks, from the glorious jumping big swing of "The Jeep Is Jumpin'" while he was with Bill De Arango to the searing bebop of "Dark Corners" (with some blazing guitar work by De Arango) to the small-combo hard bop of "Randle's Island" to the bluesy, near soul-jazz balladry of "You're My Thrill." In Webster's company are some masters to be sure, including Maynard Ferguson, Al Haig, Big Sid Catlett, Bill Coleman, Benny Carter, Tony Scott, Buster Moten, and Gerald Wiggins, to name a few. This is varied set in terms of style, but these performances (and sound) are consistently fine.


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Cootie Williams And His Orchestra - 1941-1944

Artist: Cootie Williams And His Orchestra
Album: 1941-1944 [Classics]
Rating AMG: 4 1/2
Recording Date: May 7, 1941-Aug 22, 1944
Release Date: 1995
Label: Classics (Chronological 827)
Type: Compilation
Genre: Jazz, Styles: Swing, Big Band, Bop, Standards, Jive
Time: 72:46
Format/Bitrate - mp3, 320 kbps
Size: 100+86 Mb

Вашему вниманию предлагается запись Cootie Williams And His Orchestra.

Titles:
1. West End Blues
2. Ain't Misbehavin'
3. Blues in My Condition
4. G-Men
5. Sleepy Valley
6. Marcheta
7. When My Baby Left Me
8. Fly Right (Epistrophy)
9. You Talk a Little Trash
10. Floogie Boo
11. I Don't Know
12. Do Some War Work, Baby
13. My Old Flame
14. Sweet Lorraine
15. Echoes of Harlem
16. Honeysuckle Rose
17. Now I Know
18. Tess's Torch Song (I Had a Man)
19. Cherry Red Blues
20. Things Ain't What They Used to Be
21. Is You Is or Is You Ain't My Baby?
22. Somebody's Gotta Go
23. 'Round Midnight
24. Blue Garden Blues (Royal Garden Blues)

Personel: Cootie Williams (trumpet). Bud Powell (piano), Pearl Bailey (vocal), Joe Guy (trumpet), Eddie "Cleanhead" Vinson (alto sax), Eddie "Lockjaw" Davis (tenor sax), Johnny Guarnieri (piano), Jo Jones (drums), other.

Продолжение текста / More text
Review arwulf arwulf, AMG:
In addition to serving as a primal ingredient in the Duke Ellington Orchestra, Charles "Cootie" Williams led a series of outstanding small groups and big bands during the 1940s, employing and encouraging young, innovative musicians at a time when other bandleaders resisted the inevitable evolution of swing to bop. This collection assembles eight sessions' worth of rare recordings made over a relatively short period of time. Vocalists are Pearl Bailey, Eddie "Cleanhead" Vinson, and Williams himself. Four superb septet sides from May 1941 feature the trumpeter bolstered by a well-oiled front line of trombone and alto and baritone saxophones driven by drummer Jo Jones, pianist Johnny Guarnieri, and bassist Artie Bernstein. "West End Blues" and "Blues in My Condition" are without question two of Williams' greatest achievements on record. Two recordings dating from April 1942 are emblematic of major stylistic movements that were evolving rapidly among Afro-American musicians. Cleanhead Vinson established himself as a modern blues vocalist with "When My Baby Left Me" and the Cootie Williams Orchestra served up what was without question the most advanced piece of music on the scene at that time: "Fly Right," also known as "Epistrophy," is credited to Thelonious Monk, Kenny Clarke, and Cootie Williams. What the senior members of this band -- Louis Bacon, Charlie Holmes, and John Williams, musicians whose careers reached back to the 1920s -- thought of this futuristic opus is food for thought. Beginning with "Floogie Boo," the remaining 19 tracks all date from the year 1944, and illustrate Cootie Williams' position near the eye of the hurricane of modern jazz. For now he had begun to employ remarkably imaginative musicians, taking the young Bud Powell under his wing and welcoming into the pack such fiery personalities as Eddie "Lockjaw" Davis and Charlie Parker. The most exciting record of all is saved for the last track, as Cootie Williams demonstrates his uncanny ability to talk through his trumpet using the mute in a mysterious manner with a facility equaled only by Joe "Tricky Sam" Nanton. This rare recording of "Blue Garden Blues," a gloriously modern big-band treatment of the old "Royal Garden Blues," is an astonishing, startling, mind-blowing treat, one of the greatest accomplishments in all of recorded jazz.


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Erroll Garner - 1944 Vol.2

Artist: Erroll Garner
Album: 1944, Vol. 2
Rating AMG: 3
Recording Date: Dec 14, 1944-Dec 20, 1944
Label: Classics
Genre: Jazz, Styles: Bop, Swing
Time: 71:07
Format/Bitrate - flac (Rapidshare)
Size: 85+85+60 Mb

Titles:
1. I Hear A Rhapsody (Parts 1 & 2)
2. Erroll's Reverie
3. You Were Born To Be Kissed
4. Perdido
5. Soft And Warm
6. Everything Happens To Me
7. I'm In The Mood For Love
8. All The Things You Are
9. Blue Room
10. I Get A Kick Out Of You
11. Blues I Can't Forget
12. Boogie Woogie Boogie
13. Gliss In The Dark
14. The Fighting Cocks
15. A Lick And A Promise
16. Opus 1
17. Gaslight
18. Twistin' The Cat's Tail

Personel: Erroll Garner Trio, Erroll Garner - Piano, John Simmons - Bass, Harold "Doc" West - Drums.

Продолжение текста / More text
Review Scott Yanow, AMG:
The second in the Classics label's Erroll Garner series has nine unusual piano solos recorded privately at Baron Timme Rosenkrantz's apartment (ranging from the 2-1/2 minute novelty "Twisting the Cat's Tail" to an extensive eight-minute exploration of "I Hear a Rhapsody"), along with the ten songs that comprised Garner's first officially recorded session. The latter were originally cut as piano solos for the Rex label (later put out by Atlantic), but had bass (John Simmons) and drums (Doc West) overdubbed, which explains why they are better recorded than the piano. Overall, this is an interesting but not overly essential release.


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Django Reinhardt - In Solitaire: Complete Recordings For Solo Guitar 1937-1950

Album: In Solitaire: Complete Recordings For Solo Guitar 1937-1950
Rating AMG: 5
Recording Date: Apr 1937-Jul 1950
Release Date: 2005
Label: Definitive (UK)
Genre: Jazz, Styles: Swing, Continental Jazz, Gypsy
Format/Bitrate - flac + scan
Size: 96 Mb

Вашему вниманию сольный альбом Django Reinhardt'а. Записи сделаны в период с 1937 по 1950 годы.

Titles:

1. Improvisation No.1
2. Perfum
3. Improvisation No.2 (Master)
4. Improvisation No.2 (Alternate)
5. Echoes Of Spain
6. Naguine
7. Improvisation No.3 Part 1
8. Improvisation No.3 Part 2
9. Improvisation No.6
10. Improvisation No.7 (Aka No.2)
11. Improvisation 47 (Improvisation No.5)
12. Improvisation No.4
13. Belleville
14. Nuages
15. Two Improvised Guitar Choruses (Bonus Track)

Продолжение текста / More textArtist: Django Reinhardt
Review arwulf arwulf, AMG:
Poetically speaking, an entire album of unaccompanied guitar solos by Django Reinhardt seems roughly commensurate with the earth's magnetic field, its inner and outer atmosphere, the atomic weight of the sun and all of the elements in the periodic table, in addition to a few more that haven't yet divulged themselves. This is elemental stuff. It borders on the cosmic. Django Reinhardt's solo guitar recordings pop up here and there like will-o-the-wisps or Red Dwarves across the sky chart of his panoramically extended discography. Gathered together in one album for the very first time are 15 solos recorded between 1937 and 1950 in Paris, London, Chicago, and Rome. Some were waxed as warm-ups in recording studios, others were committed to acetates for radio broadcast purposes; one "Improvisation" was recorded live at Chicago's Civic Opera House while two extended pieces ("Belleville" and "Nuages") were intended for use as the soundtrack to a film that was never completed. For the closing track the producers stepped away from the otherwise immaculate chronology (or looped back to track one like a Möbius Strip) to include a three-and-one-half minute sequence entitled "Two Improvised Guitar Choruses," culled from a rare and terrifically scratchy broadcast acetate cut in 1937. None of these performances sound anything like the familiar, rhythmically pulsing proceeds of the Quintet of the Hot Club de France. "Echoes of Spain" recalls the landscape of Andalusia and the verses of Federico Garcia Lorca. "Naguine" is an intimate portrait of the guitarist's wife. "Perfum" (Also known as "Parfum") conveys something like the bouquet from a vial of essential oil, rose absolute, perhaps, or a carnation-scented love potion from a little shop on Royal Street in New Orleans. Django Reinhardt's complete recordings for solo guitar are subtle and potent, sanguine and ethereal, magical and down to earth.


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Ten Years After - The Best Of (1991)

Artist: Ten Years After
Album: The Best Of
Rating AMG: 4 1/2
Release Date: Jan 01, 2004
Label: EMI
Genre: Jazz, Styles: Blues-Rock, British Blues, Pop/Rock, Hard Rock
Time: 67:01
Format/Bitrate - mp3, 320 kbps
Size: 100+59 Mb

Titles:
1. Rock N Roll Music To The World
2. I'd Love To Change The World
3. I'm Going Home
4. Choo Choo Mama
5. Tomorrow I'll Be Out Of Town
6. I Woke Up This Morning
7. Me & My Baby
8. Good Morning Little School Girl
9. Going Back To Birminham
10. 50,000 Miles
11. Sweet Little Sixteen
12. I'm Coming On
13. Love Like A Man
14. Baby Won't You Let Me Rock N Roll You

Personel:
Alvin Lee - guitar, vocals, harp
Leo Lyons - bass
Chick Churchill - keyboard
Ric Lee - drums

Продолжение текста / More textReview AMG:
While it doesn't include all of their prime material, Essential features enough of their best songs to make it a fine introduction.


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Pete La Roca Sims - Turkish Women at the Bath

Artist: Pete La Roca
Album: Turkish Women at the Bath
Rating AMG: 4
Release Date: 1967
Label: 32 Jazz
Genre: Jazz, Styles: Latin Jazz, Hard Bop
Time: 34:49
Format/Bitrate - flac
Size: 150+85 Mb

Titles:
1 Turkish Women at the Bath (La Roca) 5:45
2 Dancing Girls (La Roca) 6:07
3 Love Planet (La Roca) 5:40
4 Marjoun (La Roca) 3:40
5 Bliss (La Roca) 4:58
6 Sin Street (La Roca) 7:15
7 And So I (La Roca) 1:24

Personel: John Gilmore (ts), Chick Corea (p), Walter Booker (b), Pete La Roca Sims (d).

Impact Sound Studios, NYC, May 25, 1967.

Продолжение текста / More textA "lost" classic of spiritual free jazz, Turkish Women is a charming session inspired by the decadent Ingres painting of the same name. This late 1960s session brought together the fiery, refined tenor sax of John Gilmore; the ruminative acoustic piano of (pre-fusion) Chick Corea; the heavy, hefty-duty bass of Walter Booker; and leader Pete LaRoca. LaRoca, who left music shortly after this 1967 session to devote his time to the art of law, is a contrapuntal percussionist who's even credited in The Rough Guide to Jazz as "the first person to record a totally free-tempo drum solo." It's an ensemble effort, but longtime Sun Ra sideman Gilmore delivers a rare non-Arkestra performance that demonstrates why Coltrane was so clearly influenced by Gilmore's tightly-controlled, sonic whirlwinds. ~ Mike McGonigal, Amazon.com


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Roy Eldridge - 1943-1944 (Chronological 920)

Artist: Roy Eldridge
Album: 1943-1944
Rating AMG: 3 1/2
Label: Classics
Genre: Jazz, Styles: Swing, Big Band, Ballads
Time: 59:37
Format/Bitrate - flac
Size: 150+96 Mb
Total time - 59:37

Titles:

01.After You've Gone Henry Creamer, Turner Layton (2:46)
02.The Gasser Roy Eldridge (2:53)
03.Jump Through the Window (2:40)
04.Minor Jive Roy Eldridge (2:41)
05.Stardust ... Hoagy Carmichael, Mitchell Parish (2:26)
06.Oh, Lady Be Good [Incomplete Take] ... George Gershwin, Ira Gershwin (1:33)
07.I Surrender, Dear ... Harry Barris, Gordon Clifford (2:44)
08.Tea for Two ... Vincent Youmans, Irving Caesar (3:33)
09.Flyin' on a V-Disc, Pt. 1 (Flying Home) ... Benny Goodman, Lionel Hampton (4:55)
10.Flyin' on a V-Disc, Pt. 2 (Flying Home) ... Benny Goodman, Lionel Hampton (3:57)
11.Don't Be That Way Benny Goodman, Edgar Sampson, Mitchell Parish (3:12)
12.I Want to Be Happy Vincent Youmans, Irving Caesar (2:55)
13.Fiesta in Brass Cab Calloway (2:53)
14.St. Louis Blues W.C. Handy (2:35)
15.I Can't Get Started Vernon Duke, Ira Gershwin (3:16)
16.After You've Gone Henry Creamer, Turner Layton (3:00)
18.Body and Soul Johnny Green, Edward Heyman, Robert Sour, Frank Eyton Roy Eldridge (3:16)
19.Fish Market Roy Eldridge (3:10)
20.Twilight Time Buck Ram, Alan Dunn, Al Nevins (2:51)
21.St. Louis Blues W.C. Handy (2:21)

Total time - 59:37

Recording Date: Nov 16, 1943-Oct 13, 1944

Personel: Roy Eldridge (trumpet), Louis Armstrong (trumpet), Coleman Hawkins (tenor sax), Oscar Pettiford (bass), Ike Quebec (tenor sax), Art Tatum (piano), Lionel Hampton (vibes), Jack Teagarden (trombone), Cozy Cole (drums),
Johnny Guarnieri (piano), Hal Singer (tenor sax), Emmett Berry (trumpet), Barney Bigard (clarinet), Big Sid Catlett (drums), Joe Thomas (trumpet) и др.

Продолжение текста / More textRoy Eldridge worked with Gene Krupa for a couple of years, then made a series of hot sides with a great seven-piece band, featuring tenor saxophonists Ike Quebec and Tom Archia. "After You've Gone" begins with a funny false-start introduction that Eldridge seems to have developed while working with Krupa. "The Gasser," a hot-to-trot walking blues, was based on the chord changes of "Sweet Georgia Brown." Also included here are two lovely, passionate ballads and an incomplete take of "Oh, Lady Be Good." The Esquire Metropolitan Opera House V-Disc Jam Session turned into a real all-star blowout on "Tea for Two," the conglomerated ensemble sounding pretty crowded by the time it works up to the out chorus. Eldridge's next adventure occurred with Lionel Hampton's V-Disc All-Stars. "Flyin' on a V-Disc" is, of course, Hamp's big hit "Flyin' Home." He hammers the vibes while saying "heyyy!' and keeps on saying it, clapping his hands and braying like a goat throughout all subsequent solos by the horn players, eventually leading the pack into an inevitable grandstand conclusion. The Little Jazz Trumpet Ensemble is heard on one of the earliest of all Keynote sessions, and the very first of producer Harry Lim's instrument-oriented dates, setting a precedent for the Coleman Hawkins Sax Ensemble and the Benny Morton Trombone Choir. Emmett Berry's inspiration was Roy Eldridge himself, while Joe Thomas patterned himself after Louis Armstrong. "St. Louis Blues" in particular is amazing. They work it up to a fine finish. Eldridge's working relationship with Decca Records bore fruit briefly in June of 1944 with another big-band date. This particular group included former Fats Waller trumpeter John "Bugs" Hamilton, ace trombonist Sandy Williams, and a pair of strong tenor players -- Franz Jackson and Hal Singer. Two dramatic ballads resulted, along with yet another patented stampede version of "After You've Gone." The orchestra assembled on October 13, 1944, had a formidable trombone section, as Williams found himself flanked by noteworthy slip horn agents Wilbur DeParis and Vic Dickenson. This band was also fortified with the presence of trumpeter Sidney DeParis, drummer Cozy Cole, and flashy amplified guitarist Napoleon "Snags" Allen, who is heavily featured on "Fish Market," a rocking blues that sounds a bit like "Tuxedo Junction." After Eldridge savors a pretty air called "Twilight Time," he leads a charge through "St. Louis Blues." Running the changes as fast as he can through a muted horn, Eldridge fires off a rapid stream of lyrics, turns Franz Jackson loose for a scorching hot tenor solo, and heads up an explosive hot finale. ~ arwulf arwulf, AMG


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Hank Mobley - Dippin' (1965)

Artist: Hank Mobley
Album: Dippin'
Rating AMG: 4 1/2
Recording Date: Jun 18, 1965
Label: Blue Note
Genre: Jazz, Styles: Hard Bop
Time: 42:18
Format/Bitrate - mp3, 320 kbps
Size: 100 Mb

Titles:
1 The Dip 7:57
2 Recado Bossa Nova 8:11
3 The Break Through 5:52
4 The Vamp 8:21
5 I See Your Face Before Me 5:29
6 Ballin' 6:51

Personel: Hank Mobley (tenor saxophone); Lee Morgan (trumpet); Harold Mabern (piano); Larry Ridley (bass); Billy Higgins (drums).

Recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey on June 18, 1965. Includes liner notes by Ira Gitler. Liner Note Author: Bob Blumenthal. Recording information: Van Gelder Studios, Englewood Cliffs, New Jersey (1965).

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Review cduniverse:
With DIPPIN', Hank Mobley is clearly entrenched in his "hard" period, as his more muscular, yet still round, tone and his penchant for funky grooves dominate the session. As on many other Mobley sides, Lee Morgan and Billy Higgins return to lend their respective touches, which once started the flame burning with Morgan's "The Sidewinder." Pianist Harold Mabern and bassist Larry Ridley round out the group. It is Mobley, however, who blows strongest here, strengthened by a long string of powerful dates like this one.

Like most post-"Sidewinder" Blue Note dates, DIPPIN' kicks off with a near-rip-off of the popular Morgan hit from 1963. Here, "The Dip" satisfies the requisite funkiness with a spirited quasi-Latin beat from Higgins and a Horace Silver-esque melody. The following "Recado Bossa Nova," one of the session's most memorable cuts, captures the Brazilian style that caused such a stir with equal amounts of taste and bluesy grunge. Later, the date's only ballad, the classic "I See Your Face Before Me," offers a respite with one of Mobley's smokiest performances on record. Finally, the closer "Ballin'" is a joyous waltz that ends the session on a swinging blast.

Review Thom Jurek, AMG:
Dippin' is one of Hank Mobley's finer moments, even considering that his entire Blue Note catalog is masterful, particularly his 1960s dates that reveal the depth and dimension of his understanding of harmonic invention -- all in the name of groove and swing, of course. This date, recorded on a single day in June of 1965, netted four Mobley originals as well as two covers. The band included trumpeter Lee Morgan, pianist Harold Mabern, bassist Larry Ridley, and drummer Billy Higgins. The two-horn front line always served Mobley well. Here, with Morgan, the groove commences from the first notes of the title cut that opens the set. The short bluesy lines burst from the horns, and are turned inside out with elegant yet knotty lines that move the tune almost into pop territory but never venture far from the blues. The sprightly "Recado Bossa Nova," written by Djalma Ferreira, moves the band outside its comfort zone rhythmically, but Mobley's horn chart is brilliant. Higgins and Ridley keep the bossa groove natural and steaming as the soloists begin taking the tune apart and putting it back together. There is one ballad on the set, "I See Your Face Before Me" composed by Arthur Schwartz and Howard Dietz. On it, Mobley does his best Ben Webster, blowing low and smoky and sweet, but the truth is that it doesn't belong on a program with so many hard bop swingers. The rest of the session is a pure joy and a fine document of Mobley's abilities as a bandleader and composer. The 2006 Rudy Van Gelder Edition on CD features spectacular sound, but contains no bonus material.


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Jazz in Paris - Clarinettes a Saint-Germain des Pres

Artist: Hubert Rostaing / Maurice Meunier
Album: Clarinettes a Saint-Germain des Pres
Recording Date: Jan 11, 1956-May 1957
Release Date: Jul 16, 2002
Label: Sunnyside
Genre: Jazz, Styles: Swing
Time: 67:37
Format/Bitrate: mp3, 320 kbps
Size: 100+81 Mb

На этом диске записаны сразу два ансамбля: оркестр Hubert Rostaing'а (1-12) и квартет/квинтет Maurice Meunier'а (13-24).

Titles:
1. Bonjour Benny (Rostaing) 2:26
2. Autour de la Femme (Rostaing) 2:22
3. Champs Elysées Club (Rostaing) 2:59
4. Trop Tôt (Rostaing) 2:08
5. Sweet Renée (Rostaing) 3:08
6. L' Heure Tourne (Solal) 2:54
7. J'En Suis Saisie (Rostaing) 2:37
8. Say When? (Rostaing) 2:54
9. Ça Va Bouillir (Rostaing) 2:24
10. Oh, Lady Be Good (Gershwin, Gershwin) 2:15
11. Remember (Rostaing) 3:07
12. Cherokee (Noble) 3:11
13. Too Marvelous for Words (Mercer, Whiting) 4:32
14. Samakoutra (Meunier) 4:13
15. Somebody Loves Me (DeSylva, Gershwin, MacDonald) 3:37
16. Sweet Mau-Mau (Meunier) 4:21
17. Dig (Davis) 3:06
18. Crazy Rhythm (Caesar, Kahn, Meyer) 3:02
19. Blues for the Reverend (Matthews) 3:02
20. Don't Blame Me (Fields, McHugh) 4:22
21. With the Wind and the Rain in Your Hair (Edwards, Lawrence) 3:33
22. (Back Home Again In) Indiana (Hanley, MacDonald) 3:45
23. I Know, Don't Know How (Mulligan) 4:32
24. Tangerine (Mercer, Schertzinger) 3:44

Personnel:
William Boucaya Sax (Baritone)
Raymond Fol Piano
Christian Garros Drums
Michael A. Hauser Vibraphone
Maurice Meunier Clarinet, Sax (Alto)
Pierre Michelot Double Bass
Nat Peck Trombone
Hubert Rostaing Clarinet
Martial Solal Piano
René Urtreger Piano
Benny Vasseur Trombone
Charles Verstraete Trombone
Fernand Verstraete Trumpet

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Ted Curson - Plenty of Horn (1961)

Artist: Ted Curson
Album: Plenty of Horn
Rating AMG: 4
Release Date: Apr 1961
Label: Old Town
Genre: Jazz, Styles: Avant-Garde, Post-Bop, Hard Bop
Time: 40:06
Format/Bitrate: flac
Size: 100+100+37 Mb

Вашему вниманию предлагается дебютный альбом трубача Ted Curson.


Titles:
1. Caravan
2. Nosruc
3. Things We Did Last Summer
4. Dem's Blues
5. Ahma (See Ya)
6. Flatted Fifth
7. Bali-H'ai
8. Antibes
9. Mr. Teddy

Personnel:
Ted Curson (trumpet);
Eric Dolphy (flute);
Kenny Drew (piano);
Jimmy Garrison (bass);
Roy Haynes (drums);
Bill Barron.

Продолжение текста / More text

Biography Scott Yanow, AMG
An excellent and flexible trumpeter, Ted Curson will always be best-known for his work with Charles Mingus' 1960 quartet (which also included Eric Dolphy and Dannie Richmond). He studied at Granoff Musical Conservatory; moved to New York in 1956; played in New York with Mal Waldron, Red Garland, and Philly Joe Jones; and recorded with Cecil Taylor (1961). After the 1959-1960 Mingus association (which resulted in some classic recordings), Curson co-led a quintet with Bill Barron (1960-1965), played with Max Roach, and led his own groups. He spent time from the late '60s on in Europe (particularly Denmark) but has had a lower profile than one would expect since his return to the U.S. in 1976. Ted Curson has led sessions for Old Town (1961), Prestige, Fontana, Atlantic, Arista, Inner City, Interplay, Chiaroscuro, and several European labels, but has barely been on records at all since 1980.


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Coleman Hawkins - 1934-1937 (Chronological 602)

Artist: Coleman Hawkins
Album: 1934-1937
Rating AMG: 3
Recording Date: Nov 18, 1934-1937
Label: Classics
Genre: Jazz, Styles: Swing, Classic Jazz
Time: 63:50
Format/Bitrate - flac(+ scans)
Size: 100+100+92 Mb

Titles:
1. Lullaby
2. Oh, Lady Be Good
3. Lost In A Fog
4. Honeysuckle Rose
5. Some Of These Days
6. After You've Gone
7. I Only Have Eyes For You
8. I Wish I Were Twins
9. Hands Across The Table
10. Blue Moon
11. Avalon
12. What a Difference A Day Made
13. Stardust
14. Chicago
15. Meditation
16. What Harlem Is To Me
17. Netcha's Dream
18. Love Cries
19. Sorrow
20. Tiger Rag
21. It May Not Be True
22. I'm in the Mood For Love

Personel: Coleman Hawkins (tenor sax, vocal), Stephane Grappelli (piano), Django Reinhardt (guitar), The Ramblers (Ensemble), Omer de Cock (tenor sax), Alix Combelle (tenor sax), others

Продолжение текста / More text
Review Stephen Cook, AMG:
Coleman Hawkins was already well on his way to becoming the first master of the tenor saxophone when these sides were recorded. With his ten-year incubation with the heralded Fletcher Henderson band in the past (not to mention fine stints with McKinney's Cotton Pickers and various session outfits), Hawkins moved to Europe in 1934 and proceeded to hone his tough yet romantic sound with a variety of overseas groups. This Classics disc covers the first half of his eventual five-year sojourn. In addition to the four sides with pianist Stanley Black that kick things off, the 22 cuts find Hawkins in the adequate, yet somewhat stiff, company of continental contingents from The Hague, Paris, and various other locales. Hawkins is impressive throughout, though, in spite of the less than swinging environs; thankfully, the ensemble playing heats up quite nicely on the cuts with Django Reinhardt. A few reservations having been aired, this disc's good overall sound and sufficient enough supply of quality solos and cuts make it a title Hawkins fans should seek out.


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Buddy Rich & Harry ''Sweets'' Edison - Buddy And Sweets

Artists: Buddy Rich and Harry "Sweets" Edison
Album: Buddy and Sweets
Rating AMG: 3
Recording Date: Sep 1, 1955
Label: Norgran, Verve
Genre: Jazz, Styles: Swing
Format/Bitrate - flac
Size: 75+50 Mb

Titles:
1. Yellow Rose Of Brooklyn
2. Easy Does It
3. All Sweets
4. Nice Work If You Can Get It
5. Barney's Bugle
6. Now's The Time
7. You're Getting To Be A Habit With Me

Personnel: Buddy Rich (drums); Harry "Sweets" Edison (trumpet); Jimmy Rowles (piano); Barney Kessel (guitar); John Simmons (bass).

Recorded at Radio Recorders, Hollywood, California on Sepetmber 1, 1955. Producer - Norman Granz.

Продолжение текста / More text
...In 1955, Buddy and Harry came together for one truly memorable session. Buddy Rich and Harry ”Sweets” Edison was originally recorded on Norgran Records but the label was later acquired by Verve. The two had recorded earlier when they were with the JATP but this was their first project where together they are the headliners. It’s swing at its best and is a venue for two of the master craftsman to showcase their talents.
The other members of the band are Jimmy Rowles on piano, Barney Kessel on guitar, and John Simmons on bass. With this impressive roster of background musicians the talent just doesn’t seem to stop. Jimmy Rowles started playing professionally at the age of 17 and over the years played with Lester Young and Billie Holiday. He’s received numerous Grammy nominations and is recognized as a master jazz pianist. John Simmons on bass picked up valuable experience when he played with Nat King Cole and also played briefly with Duke Ellington. He performed with many great jazz artists during the fifties but had to stop playing in the early sixties because of deteriorating health. A bit of trivia for my New York friends, Sue Simmons co-anchor of WNBC News at Five is his daughter. Barney Kessel, known as ”The Innovator,” legitimized the use of the guitar within the jazz spectrum.


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Benny Carter - 1946-1948 (Chronological 1043)

Artist: Benny Carter
Album: 1946-1948
Rating AMG: 4
Recording Date: Apr 1946-Dec 12, 1948
Release Date: May 4, 1999
Label: Classics
Genre: Jazz, Styles: Swing, Jump Blues, East Coast Blues
Time: 75:38
Format/Bitrate - flac
Size: 100+86 Mb

Вашему вниманию предлагается еще один альбом Бенни Картера (Benny Carter). На лейбле Classics их вышло девять.

Titles:
1 Melodrama in a V-Disc Record Room (Jump Call) (Brenner) 3:30
2 I Can't Get Started (Duke, Gershwin) 2:54
3 He's Funny That Way (Moret, Whiting) 2:43
4 Moonglow (DeLange, Hudson, Mills) 2:51
5 Give Me Something to Remember You By (Dietz, Schwartz) 2:48
6 Oh, Lady Be Good (Gershwin, Gershwin) 2:38
7 Deep Purple (DeRose, Parish) 3:11
8 Back Bay Boogie (Carter) 5:17
9 Prelude to a Kiss (Ellington, Gordon, Mills) 3:05
10 Rebop Boogie (Carter) 3:00
11 Twelve O'Clock Jump (Carter) 2:54
12 Your Conscience Tells You So (Carter, Raye) 2:37
13 Mexican Hat Dance (Traditional) 2:53
14 Sweet Georgia Brown (Bernie, Casey, Pinkard) 2:36
15 Out of My Way (Catlett, Grimes) 3:01
16 What'll It Be (Webster) 3:16
17 Cadillac Slim (Webster) 3:03
18 Baby You're Mine for Keeps (Atwood, Herscher) 2:40
19 You'll Never Break My Heart Again (Atwood, Herscher) 2:53
20 Chilpanicingo (Atwood, Herscher) 2:54
21 An Old Love Story (Atwood, Herscher) 2:59
22 Reina (My Lovely Queen) (Atwood, Herscher) 2:58
23 Let Us Drink a Toast Together (Atwood, Herscher) 2:42
24 June Comes Around Every Year (Arlen, Mercer) 3:07
25 Forever Blue (Carter) 3:08

Продолжение текста / More text
Review Stephen Cook, AMG:
Benny Carter, like Coleman Hawkins, spent the '40s rubbing shoulders with bebop's young Turks, while mostly maintaining the style he forged during the early jazz and swing years. Possibly, like Hawkins again, Carter's '30s stay in Europe opened him up to the progressive nature of jazz and the necessity of always taking advantage of the music's complexities and malleability. And while Carter didn't ape Charlie Parker's alto flights or become a fixture at Minton's Playhouse, he did head up some fine big bands that featured the likes of Miles Davis, Dexter Gordon, J.J. Johnson, Max Roach, and Howard McGhee, to name a few bebop figures. This Classics discs takes in some of Carter's adventurous big band sides from 1946-1948, including a California outfit with Davis and Gerald Wilson. On the more traditional end, Carter is also heard with swing contemporaries like Buck Clayton and Ben Webster. A fine document of the fertile transition from swing to bebop.


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Carmen McRae - Carmen Sings Monk

Artist: Carmen McRae
Album: Carmen Sings Monk
Rating AMG: 5
Recording Date: Jan 30, 1988-Feb 1, 1988
Label: Novus, Bluebird
Genre: Jazz, Styles: Vocal Jazz, Standards, Traditional Pop
Time: 65:02
Format/Bitrate - mp3, 320 kbps
Size: 100+74 Mb

Вашему вниманию предлагается запись Carmen McRae. На этом диске Carmen записала композиции своего хорошего друга Thelonious Monk. Альбом получил высокие оценки критиков. Альбом вышел на лейбле Novus (к нему относится рецензия Янова), здесь он в версии лейбла Bluebird (добавлены три трека: 16-18).
Приятного прослушивания.

Titles:
1. Get It Straight (a.k.a. Straight, No Chaser) - (live)
2. Dear Ruby (a.k.a. Ruby, My Dear)
3. It's Over Now (a.k.a Well, You Needn't)
4. Monkery's The Blues (a.k.a Blue Monk)
5. You Know Who (a.k.a. I Mean You)
6. Little Butterfly (a.k.a. Pannonica)
7. Listen To Monk (a.k.a. Rhythm-A-Ning)
8. How I Wish... (a.k.a. Ask Me How)
9. Man, That Was A Dream (a.k.a. Monk's Dream)
10. Round Midnight
11. Still We Dream (a.k.a. Ugly Beauty)
12. Suddenly (a.k.a. In Walked Bud) - (live)
13. Looking Back (a.k.a. Reflections)
14. Suddenly - (previously unreleased, alternate take)
15. Get It Straight - (previously unreleased, alternate take)
16. Round Midnight - (previously unreleased, alternate take)
17. Listen To Monk - (previously unreleased, alternate take)
18. Man, That Was A Dream - (previously unreleased, alternate take)

Personel: Carmen McRae (vocals); Clifford Jordan (soprano saxophone, tenor saxophone); Charlie Rouse (tenor saxophone); Eric Gunnison, Larry Willis (piano); George Mraz (bass); Al Foster (drums).

Producer: Larry Clothier.

Recorded at Clinton Studios, New York, New York on April 12 & 13, 1988. Originally released on Novus Records. Includes liner notes by Linda Dahl and Stuart Troup. All tracks have been digitally remastered. This is part of Bluebird's First Editions series.

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Review Scott Yanow, AMG:
Carmen McRae, a good friend of Thelonious Monk, sang 13 of his songs (two of which are also heard in different live versions) on this memorable project. Half of the lyrics are by Jon Hendricks, while the remainder were written by Abbey Lincoln ("Blue Monk"), Bernie Hanighen, Sally Swisher, or Mike Ferro. On all but the two concert performances, McRae is assisted by tenor saxophonist Clifford Jordan, pianist Eric Gunnison, bassist George Mraz, and drummer Al Foster; Mraz's solos are particularly impressive, although everyone is in sensitive form. The live recordings give listeners two more chances to acknowledge the uniqueness of tenor saxophonist Charlie Rouse's tone. As for McRae, her phrasing has rarely sounded better than on this classic set, and it is a particular pleasure to hear her interpret the intelligent lyrics and unusual melodies. "Dear Ruby" ("Ruby, My Dear") and "Listen to Monk" ("Rhythm-A-Ning") are among the high points of the essential and very delightful CD. An inspired idea and one of the best recordings of Carmen McRae's career.

Down Beat (8/90) - 5 Stars - Excellent - "..Carmen, who has always sung with the passion of absolute certainty, has put Monk on a new map."


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Hank Mobley - Dippin' (1965)

Artist: Hank Mobley
Album: Dippin'
Rating AMG: 4 1/2
Recording Date: Jun 18, 1965
Label: Blue Note
Genre: Jazz, Styles: Hard Bop
Time: 42:18
Format/Bitrate - mp3, 320 kbps
Size: 100 Mb

Titles:
1 The Dip 7:57
2 Recado Bossa Nova 8:11
3 The Break Through 5:52
4 The Vamp 8:21
5 I See Your Face Before Me 5:29
6 Ballin' 6:51

Personel: Hank Mobley (tenor saxophone); Lee Morgan (trumpet); Harold Mabern (piano); Larry Ridley (bass); Billy Higgins (drums).

Recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey on June 18, 1965. Includes liner notes by Ira Gitler. Liner Note Author: Bob Blumenthal. Recording information: Van Gelder Studios, Englewood Cliffs, New Jersey (1965).

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Review cduniverse:
With DIPPIN', Hank Mobley is clearly entrenched in his "hard" period, as his more muscular, yet still round, tone and his penchant for funky grooves dominate the session. As on many other Mobley sides, Lee Morgan and Billy Higgins return to lend their respective touches, which once started the flame burning with Morgan's "The Sidewinder." Pianist Harold Mabern and bassist Larry Ridley round out the group. It is Mobley, however, who blows strongest here, strengthened by a long string of powerful dates like this one.

Like most post-"Sidewinder" Blue Note dates, DIPPIN' kicks off with a near-rip-off of the popular Morgan hit from 1963. Here, "The Dip" satisfies the requisite funkiness with a spirited quasi-Latin beat from Higgins and a Horace Silver-esque melody. The following "Recado Bossa Nova," one of the session's most memorable cuts, captures the Brazilian style that caused such a stir with equal amounts of taste and bluesy grunge. Later, the date's only ballad, the classic "I See Your Face Before Me," offers a respite with one of Mobley's smokiest performances on record. Finally, the closer "Ballin'" is a joyous waltz that ends the session on a swinging blast.

Review Thom Jurek, AMG:
Dippin' is one of Hank Mobley's finer moments, even considering that his entire Blue Note catalog is masterful, particularly his 1960s dates that reveal the depth and dimension of his understanding of harmonic invention -- all in the name of groove and swing, of course. This date, recorded on a single day in June of 1965, netted four Mobley originals as well as two covers. The band included trumpeter Lee Morgan, pianist Harold Mabern, bassist Larry Ridley, and drummer Billy Higgins. The two-horn front line always served Mobley well. Here, with Morgan, the groove commences from the first notes of the title cut that opens the set. The short bluesy lines burst from the horns, and are turned inside out with elegant yet knotty lines that move the tune almost into pop territory but never venture far from the blues. The sprightly "Recado Bossa Nova," written by Djalma Ferreira, moves the band outside its comfort zone rhythmically, but Mobley's horn chart is brilliant. Higgins and Ridley keep the bossa groove natural and steaming as the soloists begin taking the tune apart and putting it back together. There is one ballad on the set, "I See Your Face Before Me" composed by Arthur Schwartz and Howard Dietz. On it, Mobley does his best Ben Webster, blowing low and smoky and sweet, but the truth is that it doesn't belong on a program with so many hard bop swingers. The rest of the session is a pure joy and a fine document of Mobley's abilities as a bandleader and composer. The 2006 Rudy Van Gelder Edition on CD features spectacular sound, but contains no bonus material.


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Red Garland - All Morning Long (1957)

Artist: Red Garland Quintet
Album: All Mornin' Long
Rating AMG: 3
Recording Date: Nov 15, 1957
Label: Original Jazz Classics
Genre: Jazz, Styles: Hard Bop
Time: 37:10
Format/Bitrate - mp3, 320 kbps
Size: 86 Mb

Вашему вниманию предлагается запись квинтета Рэда Гарланда (Red Garland). За один день был записан материал для двух дисков: этого и "Soul Junction". Отмечу, что в записи принимали участие John Coltrane и Donald Byrd.

Titles:
1. All Mornin' Long
2. They Can't Take That Away From Me
3. Our Delight

Personnel: Red Garland (piano); John Coltrane (tenor saxophone); Donald Byrd (trumpet); George Joyner (bass); Art Taylor (drums).

Recorded at the Van Gelder Studio, Hackensack, New Jersey on November 15, 1957. Originally released on Prestige (7130). Includes liner notes by Ira Gitler.

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Review by Scott Yanow, AMG:
On November 15, 1957, a quintet headed by pianist Red Garland recorded enough material for two records. This CD reissue (whose companion is Soul Junction) has a 20-minute version of "All Mornin' Long," along with briefer renditions of "They Can't Take That Away from Me" (a mere ten minutes) and Tadd Dameron's "Our Delight." More important than the material is that, in addition to Garland, the main soloists are John Coltrane and trumpeter Donald Byrd. Byrd was on his way to getting his sound together, while Trane, very much in his sheets-of-sound period, was already blazing a new path for jazz to follow. An excellent and often quite colorful jam session-flavored hard bop set.


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Oscar Peterson - Oscar's Boogie

Artist: Oscar Peterson
Album: Oscar's Boogie [Jazz Hour]
Rating AMG: 3
Recording Date: Apr 30, 1945-Dec 15, 1947
Release Date: Nov 10, 1999
Label: Jazz Hour (The Netherlands)
Genre: Jazz, Styles: Swing, Mainstream Jazz, Bop
Format/Bitrate - mp3, 320 kbps
Size: 93 Mb

Вашему вниманию предлагается альбом с ранними записями (частью моно) Оскара Питерсона.

Titles:
01. My Blue Heaven
02. Louise
03. The Sheik Of Araby
04. I Got Rhythm
05. C Jam Blues
06. Humoresque
07. If I Could Be With You One Hour Tonight
08. Flying Home
09. China Boy
10. Time On My Hands
11. In A Little Spanish Town
12. Blue Moon
13. Sweet Lorraine
14. The Honeydripper
15. East Of The Sun (And West Of The Moon)
16. Runnin Wild
16. Runnin' Wild
17. Stairway To The Stars
18. Smiles
19. Poor Butterfly
20. Oscar's Boogie

Personel: Bert Brown - Bass, Clarence Jones - Drums, Oscar Peterson - Piano, Austin Roberts - Bass, Armand Samson - Guitar.

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Oscar Peterson - Plays The Duke Ellington Song Book

Artist: Oscar Peterson
Album: Oscar Peterson Plays the Duke Ellington Song Book [Compilation]
Rating AMG: 4
Recording Date: Dec 1952-Aug 9, 1959
Release Date: 1999
Label: Polygram
Genre: Jazz, Styles: Swing, Mainstream Jazz, Bop
Format/Bitrate - mp3, 320 kbps
Size: 100+40 Mb

Вашему вниманию предлагается альбом Оскара Питерсона на котором он исполняет произведения Дюка Эллингтона. Материалом для альбома послужили две сессии маэстро датируемые 1952 и 1959 годами. Отмечу, что существует одноименный диск на котором только одна сессия.
Titles:
01. John Hardy's Wife [1952]
02. Sophisticated Lady [1952]
03. Things Ain't What They Used to Be [1952]
04. Just A-sittin' and A-rockin' [1952]
05. In a Mellow Tone [1952]
06. I Got It Bad (and That Ain't Good) [1952]
07. Prelude to a Kiss [1952]
08. Cotton Tail [1952]
09. Don't Get Around Much Anymore [1952]
10. Take the A Train [1952]
11. Rockin' in Rhythm [1952]
12. Do Nothin' Till You Hear From Me [1952]
13. Don't Get Around Much Anymore [1959]
14. Sophisticated Lady [1959]
15. Rockin' in Rhythm [1959]
16. Prelude to a Kiss [1959]
17. In a Mellow Tone [1959]
18. Cotton Tail [1959]
19. Just A-sittin' and A-rockin' [1959]
20. Things Ain't What They Used to Be [1959]
21. Take the A Train [1959]
22. I Got It Bad (and That Ain't Good) [1959]
23. Do Nothin' Till You Hear From Me [1959]
24. John Hardy's Wife [1959]

Personel: Oscar Peterson (piano); Barney Kessel (guitar); Ray Brown (bass); Ed Thigpen (drums).

Producer: Norman Granz. Reissue producer: Ben Young.

Recorded at Radio Recorders, Hollywood, California in December 1952; Universal Recording Studios, Chicago, Illinois between July 14 and August 9, 1959. Includes liner notes by Cliff Preiss, Norman Granz and Lawrence D. Stewart. Digitally remastered using 24-bit technology by Kevin Reeves (Polygram Studios).

This is part of the Verve Records Master Edition series.

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Review Scott Yanow, AMG:
Twice in the 1950s, pianist Oscar Peterson recorded an extensive series of songbooks devoted to one composer. From 1952-53, Peterson, guitarist Barney Kessel and bassist Ray Brown were extensively documented; in 1959, the pianist joined up with Brown and drummer Ed Thigpen to repeat many of the programs (since the group had changed and the music could now be cut in stereo) plus additional songbooks. This 1999 CD brings together both of Peterson's Duke Ellington tributes; the same dozen songs were recorded with each of the two groups. The Duke Ellington-associated material -- which includes two songs by Mercer Ellington and Billy Strayhorn's "Take the 'A' Train" -- mostly consist of familiar songs, except for Mercer Ellington's "John Hardy's Wife." While the earlier session has a fair amount of variety in tempo and mood, with Kessel offering a competing and complementary solo voice to the pianist, the 1959 album was obviously put together very quickly during a two-month period when Peterson was being recorded constantly. Most of the latter songs are taken at slower and more relaxed tempos that make the playing close to easy listening background music. A comparison of the different versions of most of the songs shows the difference. However, due to the generosity of this reissue (24 concise selections that almost total 73-minutes) and the former rarity of the material (especially the Kessel date), Peterson fans will want to acquire this.



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Jimmy Smith - Midnight Special (1960)

Artist: Jimmy Smith
Album: Midnight Special (1960, переиздание 1988)
Rating AMG: 5
Recording Date: Apr 25, 1960
Label: Blue Note
Genre: Jazz, Styles: Jazz Blues, Soul-Jazz, Hard Bop
Time: 36:19
Format/Bitrate - mp3, 320 kbps
Size: 90 Mb

Titles:
1. Midnight Special
2. Subtle One, A
3. Jumpin' The Blues
4. Why Was I Born
5. One O'Clock Jump

Personel: Jimmy Smith (organ); Stanley Turrentine (tenor saxophone); Kenny Burrell (guitar); Donald Bailey (drums).

Recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey on April 25, 1960. Includes liner notes by Del Shields.

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The name Jimmy Smith is practically synonymous with jazz organ, and albums such as MIDNIGHT SPECIAL are part of the reason. Of course, there is Smith's legendary gospel- and blues-rooted style and brilliant bebop chops, present on SPECIAL in ample doses. Also, one could not ask for a better band: Donald Bailey, one of Smith's regular drummers; Kenny Burrell on guitar; and Stanley Turrentine on tenor sax. As great as Smith is, it's Turrentine's lusciously rich tenor tone and big bluesy honks that makes MIDNIGHT SPECIAL such a true joy. (Burrell's burr, elegant guitar isn't too shabby either.) In the end, this album is simply a party waiting to happen, for fans of Smith and soul-jazz alike.

Review Scott Yanow, AMG:
Midnight Special is a perfect complement to Back at the Chicken Shack, which was recorded the same day. Organist Jimmy Smith, tenor saxophonist Stanley Turrentine, and guitarist Kenny Burrell always make for a potent team, and with drummer Donald Bailey completing the group, the quartet digs soulfully into such numbers as the groovin' "Midnight Special," "Jumpin' the Blues," and "One O'Clock Jump." Highly recommended.

Down Beat (p.76) - 4 stars out of 5 -- "Saxophonist Stanley Turrentine is heard as the perfect front-line complement to Smith's organ."


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Blossom Dearie - Blossom Planet (2000)

Artist: Blossom Dearie
Album: Blossom's Planet
Rating AMG: 4
Release Date: Jan 19, 2000
Label: Daffodil (собственный, кстати)
Genre: Jazz, Styles: Vocal
Time: 45:33
Format/Bitrate: mp3, 320 kbps
Size: 100+6 Mb

Вашему вниманию предлагается запись Blossom Dearie. Детали биографии: записывалась на Verve у Нормана Гранца, позднее на собственной фирме Daffodil. Тембр голоса и исполнение весьма привлекательны.

Titles:
01. Bye Bye Country Boy.mp3
02. Bluesette.mp3
03. Lies of Handsome Men.mp3
04. The Ladies Who Lunch.mp3
05. Love Dance.mp3
06. I'm Not Alone.mp3
07. La Belle Dame Sans Regrets.mp3
08. Go Away With Me.mp3
09. Make Some Magic.mp3
10. Wave.mp3

Personel: Blossom Dearie - Piano, Arranger, Vocals, Executive Producer, Ray Kilday - Bass, César Camargo Mariano - Synthesizer, Arranger, Luis Peralta -Percussion, Drums.

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Review Dave Nathan, AMG:
Blossom Dearie made her first recording in Paris in 1955. For the next 45-plus years, she turned out a steady stream of albums which have delighted her very devoted followers and vocal jazz fans alike. If Johnny Desmond was the epitome of relaxation and quietness on the alto saxophone, his vocal counterpart has to be Dearie. Her voice is as recognizable as Ella Fitzgerald's, Billie Holiday's, Peggy Lee's, and other great jazz vocalists. This album has a decidedly Brazilian jazz bent. There are songs by Grammy award-winner Brazilian composer Ivan Lins and Antonio Carlos Jobim. There are also Dearie originals, which she co-authored with the likes of Johnny Mandel, Michel Legrand, and Jack Segal. In short, an eclectic roster of appealing songs that characterize this singer's albums over the years and that all get that intimate caressing, clarity of expression, and intelligent delivery -- all of which are uniquely Dearie's. On Jobim's "Wave," she rides on a crest of strings created electronically by Cesar Camarago Mariano. Her interpretation of one of Jobim's most popular tunes sets it apart from most others as she leaves some space between each line of the chorus, a device which creates anticipation for the next line. This tune also is a vehicle for her minimalist, melodic pianism. A truly class track. Good singers can make songs sound better than they really are and Dearie's ability to do that is highlighted by her rendition of Sting's "La Belle Dame Sans Regrets," which she does in French to a subtle Latin beat. Blossom's Planet is a welcome addition to her large galaxy of superior vocal recordings and is highly recommended.


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Koko Taylor - Royal Blue (2000)

Artist: Koko Taylor
Album: Royal Blue
Rating AMG: 3
Release Date: Jun 6, 2000
Label: Alligator
Genre: Blues, Styles: Modern Electric Chicago Blues, Chicago Blues, Vocal Pop
Time: 53:08
Format/Bitrate - mp3, 320 kbps
Size: 80 + 48 Mb

Вновь в Клубе Koko Taylor. Этот диск был записан в 2000-ом году после семилетней паузы. Номинировался на Грэмми.

Titles:
1. Save Your Breath
2. Hittin' on Me
3. Bring Me Some Water
4. But on the Other Hand
5. Don't Let Me Catch You (With Your Drawers Down)
6. Blues Hotel
7. Fuel to Burn
8. Man Next Door, The
9. Old Woman
10. Ernestine
11. Keep Your Booty Out of My Bed
12. Keep Your Mouth Shut and Your Eyes Open

Personnel: Koko Taylor (vocals); B.B. King (vocals, guitar); Keb' Mo' (vocals, National steel guitar, harmonica); Criss Johnson, Kenny Wayne Shepherd (guitar); Matthew Skoller (harmonica); Mark Colby (tenor saxophone); Johnnie Johnson, Ken Saydak (piano); Dolpha Fowler Jr. (organ); Kenny Hampton (bass); Kriss T. Johnson (drums).

Principally recorded at Chicago Recording Co. and Streeterville Studios, Chicago, Illinois.

ROYAL BLUE was nominated for the 2001 Grammy Award for Best Contemporary Blues Album.

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For her first album in seven years, Koko Taylor returns with a flurry of gritty material and a roster of guest royalty befitting the Queen of the Blues. Kicking things off with the fiery "Save Your Breath," Taylor keeps the temperature high with swaggering originals like the stop-start "Don't Let Me Catch You (With Your Drawers Down)" and the gutbucket blues "Ernestine" (featuring Johnnie Johnson's supple piano playing). The most impressive self-penned number is "The Man Next Door," a duet with Keb' Mo' with a stripped-down arrangement featuring a reigned-in vocal turn by Taylor goosed along by Mo's twangy National Steel guitar and wailing harmonica.
Elsewhere, the Queen mixes it up with young hotshot Kenny Wayne Shepherd (a searing cover of Melissa Etheridge's "Bring Me Some Water") and meets up with regal counterpart B.B. King (the crackling "Blues Hotel"). Taylor also has fun leisurely tearing into Ray Charles's "But On The Other Hand" and maintaining her bawdy image with the no-nonsense "Keep Your Booty Out Of My Bed."

Review Al Campbell, AMG:
Royal Blue is the first Alligator release from Koko Taylor since 1993's Grammy nominated Force of Nature. This is a mainly up-tempo set with excellent support from several guest appearances by B.B. King, Johnny Johnson, Ken Saydak, and Kenny Wayne Shepherd who contributes some scorching guitar on the Melissa Ethridge-penned hit "Bring Me Some Water." Taylor not only co-produced this release but wrote four of the 12 tracks, including the acoustic "The Man Next Door." On this track, the combination of Koko's passionate voice with Keb Mo's gritty Delta slide guitar makes you wish she would move further in this direction on future releases. Royal Blue proves Koko Taylor is still the undisputed queen of the blues.

Rolling Stone (9/14/00, p.180) - 3 stars out of 5 - "...ROYAL shows that this blues lioness still has her bite, and plenty of roar."
CMJ (5/29/00, p.26) - "...The pipes may be all of 65 years old, but the Queen of Chicago Blues can still rip it up like nobody else."
Down Beat (9/00, p.64) - 4.5 stars out of 5 - "...A major production number, complete with guest stars and contemporary material....The interaction of B.B. King and Koko is classic stuff..."
JazzTimes (11/00, p.68) - "...[She] roars with a gale force....Taylor is in classic earth-shakin' form....A lot of versatility.


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Dexter Gordon - I Want More (1964)

Artist: Dexter Gordon
Album: I Want More
Rating AMG: 4
Recording Date: Jul 9, 1964
Label: Steeplechase
Genre: Jazz, Styles: Bop, Hard-Bop
Time: 50:30
Format/Bitrate: mp3, 320 kbps
Size: 100+18 Mb

Вашему вниманию предлагается концертный альбом квартета Dexter Gordon'a.

Titles:
1. Introduction :30
2. I Want More (Gordon) 11:05
3. Come Rain or Come Shine (Arlen, Mercer) 12:01
4. Where Are You? (Adamson, McHugh) 9:32
5. I Want to Blow Now (Green) 11:56
6. Second Balcony Jump (Eckstine, Valentine) 5:26

Personel Dexter Gordon Quartet : Rune Carlsson - Drums, Dexter Gordon - Sax (Tenor), Vocals, Tete Montoliu - Piano, Niels-Henning Ørsted Pedersen - Bass.

Продолжение текста / More textReview Scott Yanow, AMG:
SteepleChase has released on six CDs the radio broadcasts of Dexter Gordon and his 1964 Quartet (with pianist Tete Montoliu, bassist Niels-Henning Orsted Pedersen and on this volume drummer Rune Carlsson) from Copenhagen's Montmartre Club. In adition to the title cut, Dexter and co. perform "Come Rain or Come Shine," "Where Are You," the fun "I Want to Blow Now" (which Gordon sings) and "Second Balcony Jump." Fans will want all of the releases in this enjoyable and well-recorded series..


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Dexter Gordon - Love For Sale (1964)

Artist: Dexter Gordon
Album: Love For Sale
Rating AMG: 4
Recording Date: Jul 23, 1964
Label: Steeplechase
Genre: Jazz, Styles: Bop, Hard-Bop
Time: 51:52
Format/Bitrate: mp3, 320 kbps
Size: 100+19 Mb (rapidshare)

Вашему вниманию предлагается концертный альбом квартета Dexter Gordon'a.

Titles:
1. Intro 1:28
2. Love for Sale (Porter) 13:52
3. I Guess I'll Hang My Tears Out to Dry (Cahn, Styne) 9:54
4. Big Fat Butterfly (Unknown) 7:01
5. Soul Sister (Gordon) 9:30
6. Cherokee (Noble) 10:01

Personel Dexter Gordon Quartet : Alex Riel - Drums, Dexter Gordon - Sax (Tenor), Vocals, Tete Montoliu - Piano, Niels-Henning Ørsted Pedersen - Bass.

Продолжение текста / More textReview Scott Yanow, AMG:
Dexter Gordon and his Quartet of 1964 (pianist Tete Montoliu, bassist Niels-Henning Orsted Pedersen and drummer Alex Riel) had a three-month engagement at the Montmartre Club in Copenhagen, broadcasting on the radio every other Thursday. SteepleChase has released these consistently exciting (and well-recorded) performances on six CDs. Love for Sale features the impressive group jamming on the title cut, "Cherokee," two Gordon originals (including "Big Fat Butterfly" which has the tenor taking a brief vocal) and an emotional rendition of "I Guess I'll Hang My Tears out to Dry." It's recommended, as are all of the releases in this valuable Dexter in Radioland series.



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