Artist: Joe Henderson
Album: Mirror, Mirror
Genre: Post-Bop, hard-Bop
Recording Date: Jan 1980
Label: Pausa
Quality: mp3, 320
Size: 99 Mb
Total time: 43:23
Еще один альбом хард- и постбоповый тенор-саксофониста Joe Henderson (Джо Хендерсона). В записи также принимали участие: Chick Corea (piano), Ron Carter (bass), Billy Higgins (drums).
Tracks:
1 Mirror, Mirror
2 Candlelight
3 Keystone
4 Joe's Bolero
5 What's New?
6 Blues For Liebestraum
Personnel: Joe Henderson (tenor saxophone), Chick Corea (piano), Ron Carter (bass), Billy Higgins (drums).
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Review Scott Yanow, Allmusic.com:
Tenor saxophonist Joe Henderson has had a remarkably consistent career. Although he has spent periods (such as the 1970s) in relative obscurity and others as almost a jazz superstar, Henderson's style and sound has been relatively unchanged since the 1960s. This lesser-known album finds Henderson in typically fine form in an acoustic quartet with pianist Chick Corea, bassist Ron Carter and drummer Billy Higgins. Carter and Corea contribute two songs apiece, Henderson gets to perform his "Joe's Bolero" and the tenor sounds majestic on "What's New."
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понедельник, 1 сентября 2008 г.
Joe Henderson - Mirror Mirror (1980)
Joe Henderson - Double Rainbow: The Music Of Antonio Carlos Jobim (1995)
Artist: Joe Henderson
Album: Double Rainbow: The Music Of Antonio Carlos Jobim
Genre: Post-Bop, Bossa Nova
Release Date: Sep 19, 1994 - Nov 6, 1994
Label: Verve
Quality: mp3, 320
Size: 75 + 62 Mb
Total time: 62:23
Этого исполнителя еще не было в Клубе. Хард- и постбоповый тенор-саксофонист Joe Henderson (Джо Хендерсон) сумел доказать, что креативный маркетинг позволяет успешно продавать джаз, при этом не опуская его до попсового уровня. Хотя он находился под влиянием Сонни Роллинса и Джона Колтрейна, в его музыке есть стиль и узнаваемость. Приятный альбом. 4 1/2 звезды на AMG. Приятного прослушивания. Кстати, сайдмены какие: Herbie Hancock, Elaine Elias, Jack DeJohnette и др.
Tracks:
1. Felicidade
2. Dreamer (Vivo Sonhando)
3. Boto
4. Ligia
5. Once I Loved :: Amor Em Paz
6. Triste
7. Photograph
8. Portrait In Black And White (A.K.A. Zingaro)
9. No More Blues :: Chega De Saudade
10. Happy Madness
11. Passarim
12. Modinha
Personnel:
Joe Henderson (tenor saxophone);
Herbie Hancock, Elaine Elias (piano);
Oscar Castro-Neves (guitar, percussion);
Christian McBride, Nico Assumpcao (bass);
Paulo Braga (drums, percussion);
Jack DeJohnette (drums).
Recorded at Clinton Recording Studios, New York on November 5 & 6, 1994 and Oceanway Recording, Los Angeles, California on September 19 & 20, 1994.
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Review Cduniverse.com:
Joe Henderson has been one of the great tenor stylists since he burst on the scene in the 1960s as a sideman and leader on several historic Blue Note recordings. Henderson found a space on the horn to accomodate both the innovations of John Coltrane and Sonny Rollins, plus a wide range of personal timbral devices--expressive manipulations of the embouchure that allowed him to produce breathy, flute-like ornaments and a unique vocal cry. Henderson's work with producer Richard Seidel has emphasized the tenor saxophonist's gifts as an interpreter of other people's music. His critically acclaimed recordings of music associated with Billy Strayhorn (LUSH LIFE) and Miles Davis (SO FAR, SO NEAR) have been jazz best-sellers.
Now with DOUBLE RAINBOW, Henderson pays tribute to the rich designs of the late Antonio Carlos Jobim in the form of two suites: one with a Brazilian styled band (evoking shades of the Getz/Gilberto collaborations), the other with an all-star American aggregation including bassist Christian McBride, pianist Herbie Hancock and drummer Jack DeJohnette. From Henderson's first notes over the bouncy groove of "Felicidade," his lyrical gifts are well-served by pianist Elaine Elias and guitarist Oscar Castro-Neves. And on the lovely melodies of "Dreamer" and "Once I Loved" Henderson patiently shapes his phrases with a real regard for the lyrics.
The powerhouse American rhythm section helps Henderson to stretch out rhythmically and harmonically. Hancock is in remarkable form, even by his own lofty standards, helping Henderson to reorchestrate each Jobim standard without losing the shape of the tune. "Happy Madness" features them in an extraordinary duet, while "Modinha" opens with a solo sax feature of epic scope and control, before McBride comes strolling through with his indomitable beat. DOUBLE RAINBOW is choice from start to finish.
Review Scott Yanow, Allmusic.com:
The third of tenor-saxophonist Joe Henderson's tribute CDs on Verve was originally supposed to be a collaboration with the great bossa nova composer Antonio Carlos Jobim but Jobim's unexpected death turned this project into a memorial. Henderson performs a dozen of the composer's works with one of two separate groups: a Brazilian quartet starring pianist Eliane Elias and a jazz trio with pianist Herbie Hancock, bassist Christian McBride and drummer Jack DeJohnette. In general, Henderson avoids Jobim's best-known songs in favor of some of his more obscure (but equally rewarding) melodies and in some cases (such as a very straight-ahead "No More Blues") the treatments are surprising. Highlights of this very accessible yet unpredictable CD include "Felicidade," "Triste," "Zingaro" and a duet with guitarist Oscar Castro-Neves on "Once I Loved," although all of the performances are quite enjoyable. Highly recommended.
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Joe Henderson - Page One (1963)
Artist: Joe Henderson
Album: Page One
Genre: Hard Bop
Recording Date: Jun 3, 1963
Label: Blue Note
Quality: flzc
Size: 250 Mb
Total time: 41:54
Вашему вниманию предлагается еще один альбом хард- и постбопового тенор-саксофониста Joe Henderson (Джо Хендерсона). Приятный альбом. 5 звезд и галочка на AMG.
Tracks:
1. Blue Bossa
2. La Mesha
3. Homestretch
4. Recorda Me
5. Jinrikisha
6. Out Of The Night
Personnel: Joe Henderson (tenor saxophone); Kenny Dorham (trumpet); McCoy Tyner (piano); Butch Warren(bass); Pete La Roca (drums).
The Rudy Van Gelder Edition of PAGE ONE includes an essay by Bob Blumenthal.
Producer: Alfred Lion. Reissue producer: Michael Cuscuna.
Recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey on June 3, 1963. Originally released on Blue Note (84140). Includes liner notes by Kenny Dorham and Bob Blumenthal.
Digitally remastered using 24-bit technology by Rudy Van Gelder (1998, Van Gelder Studio, Englewood Cliffs, New Jersey).
This is part of the Blue Note Rudy Van Gelder Editions series.
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Review Cduniverse.com:
The title PAGE ONE is fitting for this disc as it marks the beginning of the first chapter in the long career of tenor man Joe Henderson. And what a beginning it is; no less than Kenny Dorham, McCoy Tyner, Butch Warren, and Pete La Roca join the saxophonist for a stunning set that includes "Blue Bossa" and "Recorda Me," two works that would be forever associated with Henderson. Both are bossa novas that offer a hip alternative to the easy-listening Brazilian trend that would become popular with the masses. Henderson and Dorham make an ideal pair on these and other choice cuts like the blistering "Homestretch" and the engaging swinger "Jinrikisha." These both show the already mature compositional prowess that would become Henderson's trademark throughout his legendary career. The final blues number, "Out of the Night," features powerful work by the leader that only hints of things to come in subsequent chapters.
Review Scott Yanow, Allmusic.com:
Tenor saxophonist Joe Henderson's debut as a leader is a particularly strong and historic effort. With major contributions made by trumpeter Kenny Dorham, pianist McCoy Tyner, bassist Butch Warren, and drummer Pete La Roca, Henderson (who already had a strikingly original sound and a viable inside/outside style) performs six generally memorable compositions on this CD reissue. Highlights include the original versions of Dorham's "Blue Bossa" and Henderson's "Recorda Me." It's highly recommended.
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